Bowery tattoo legends · 1892–1940

“Apache Harry” Loryea, tattooer of 22 Bowery

Born John Harry Loryea Jr. in California, he toured carnivals as a long-haired “tattooed terror,” opened a tiny studio at 22 Bowery in 1935, and died in 1940 in a second shop at 2 Bowery.

Apache Harry, with long hair and tattooed arms, at work in front of a wall of tattoo flash
Apache Harry at work in front of a wall of flash.From the NYC Tattoo Shop History Digital Archive.
1892Born in Antioch, California
1935Opened a studio at 22 Bowery
1936Appeared in a two-page Life color spread
1940Died October 5, of a heart attack, at 2 Bowery

John Harry Loryea Jr. was born in 1892 in Antioch, California, the eldest son of a Jewish photographer and hog farmer.[1] On the Bowery he was Apache Harry: long hair, a stage name, a trunk of designs, and, from 1935, a studio at 22 Bowery that a later marker still lists.[1][3] During the Depression he made much of his living tattooing Social Security numbers.[2][1] This page follows him from the carnival lot to those two Bowery addresses, and it leaves the 1936 Life photographs, whose rights are unclear, off the page.

Quick facts

Born
1892, Antioch, California, as John Harry Loryea Jr.
Died
October 5, 1940, in his shop at 2 Bowery
Known as
Apache Harry; the name was a stage name
Shops
22 Bowery (from 1935); later a second shop at 2 Bowery, where he died
Earlier work
Carnival and sideshow circuits, 1928–early 1930s, as a “tattooed terror”
Prices
Later press said 50 cents to $10

California, a stage name and the carnival years

The most careful account of the family is Carmen Forquer Nyssen’s catalog essay for Massie’s Antiques, written around a cabinet card of Harry’s father.[1] The younger Loryea was born in 1892 in Antioch. The family was Jewish. The name “Apache Harry,” the long hair and the billing as a “tattooed terror” were show-business choices, not a record of ancestry.[1]

He later said he had learned to tattoo in Manila in 1902 from a Japanese hand-poke master. Nyssen treats the story as a tall tale, and so do we.[1] What can be described are the tattoos he showed: a flag piece on his chest and a Last Supper on his shoulder, among others, and a trunk he was said to carry with some five hundred designs.[1]

In 1928 he was with Pyle’s “Cross Country” carnival in Pennsylvania and New York.[1] In 1929 he was in Brownsville, Texas. In 1930 he was with the Rice & Dorman Carnival and the Donald McGregor Shows, then with the Craft Shows in California.[1] The itinerary is a standard mid-level carnival route of the late 1920s, and it is how he arrived, already tattooed and already billed, at the Bowery.

22 Bowery, 2 Bowery and the Depression trade

In 1935 he opened a studio at 22 Bowery.[1] The 2016 historical marker at 11 Chatham Square includes that address among the shops of the old tattoo district.[3] He later had a second room at 2 Bowery, and it was there, on October 5, 1940, that he died of a heart attack.[1]

Apache Harry, with long hair and tattooed arms, tattooing in front of a wall of flash
Apache Harry at work. From the NYC Tattoo Shop History Digital Archive.

The mid-1930s press found him useful copy. In December 1936 Life ran a two-page color spread of the Bowery shop: the bench, the flash, customers named Michael Brandmaier and “Six Ring Dutch.”[1][2][4] Those photographs are not reproduced here. A 1936 Milwaukee Journal piece said he put beauty spots and initials on about a dozen women a day.[2] In 1937 syndicated stories called him a “black eye specialist,” and a James Aswell interview praised Social Security for sending him a new kind of customer: people who wanted their numbers tattooed, a “swanky, sober mid-day and morning trade.”[1]

In 1938 a NANA interview by Joseph Adams described a “little two by six cubicle.”[2] The same year’s Coronet profile was titled “Apache Harry: Who Has Reaped Social Security’s Most Generous Dividend.” He charged, the later summaries say, from fifty cents to ten dollars.[2] He also did tattoo removal and the black-eye makeup Bowery barbers had long advertised.[2]

A 1940 Laff photograph, and a portrait study by the printmaker Eli Jacobi, also survive in other collections and are not used on this page.[2] The record that is used here is enough: a California carnival performer who took a Bowery room, worked the Depression’s odd new jobs, and died in the second of two shops, a few doors from where he had started.

NYC Tattoo Shop is at 141 Canal St, a short walk from 22 Bowery and 2 Bowery. The history here belongs to New York. We’re proud to work nearby.

Apache Harry FAQs

Who was Apache Harry?

Apache Harry was the stage name of John Harry Loryea Jr. (1892–1940), a California-born carnival performer and New York tattoo artist who opened a studio at 22 Bowery in 1935 and died at 2 Bowery in 1940.

Where was Apache Harry’s tattoo shop?

At 22 Bowery, from 1935, and later at 2 Bowery, where he died. He did not have a single permanent address.

Why is he associated with Social Security numbers?

Period interviews from 1937 and 1938 describe customers coming in to have their new Social Security numbers tattooed, a Depression-era job that reporters found novel.

When did Apache Harry die?

On October 5, 1940, of a heart attack, in his shop at 2 Bowery.

Sources & further reading

Numbers in brackets, like [1], point to the sources below. Use ↩ to jump back to the passage. Where sources disagree, we say so in the text.

  1. Carmen Forquer Nyssen. “The Loryeas: A Jewish Immigrant Family’s Curious Connections with Tattooing,” catalog essay. Massie’s Antiques. www.massiecivilwarimages.com a b c d e f g h i j k l m
  2. Jim Linderman. “Apache Harry Will Tattoo Your Social Security Number.” Dull Tool Dim Bulb, February 2013. dulltooldimbulb.blogspot.com a b c d e f g
  3. Bowery Alliance of Neighbors (text by Michelle Myles). “Birthplace of Modern Tattooing!” historical marker, 11 Chatham Square, erected 2016. www.hmdb.org a b
  4. Tattoo Memorabilia. “Vintage Life Magazine – Tattooing on the Bowery 1936” (listing). tattoomemorabilia.com a

Further reading

  • Michael McCabe. New York City Tattoo: The Oral History of an Urban Art. Hardy Marks, 1997.
  • Albert Parry. Tattoo: Secrets of a Strange Art. Simon and Schuster, 1933.
  • Amelia Klem Osterud. The Tattooed Lady: A History. Taylor Trade, 2014.

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